Be2Can is a showcase of selected festival films
We want to bring films that offer insight into current festivals that are otherwise missing from regular distribution. We do not limit ourselves to a mere ‘presentation’ - our goal is critical selection and discussion - on film, festivals, dramaturgy, politics, and awards.
Introduction by Ivan Hronec
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Jury Organisers Manifesto
Previous years online
Missed a previous edition of Be2Can or want to relive some quality film moments? Watch selected films on Edisonline.
Online films

Jury

Eliška Lubojatzká

Eliška Lubojatzká is a film director, music producer and audiovisual artist. She is currently completing her Master’s degree at the Centre for audiovisual studies at FAMU. Her first short film, Zagovory (2021), premiered at the Ji.hlava International Documentary Film Festival and was shortlisted for the Jiné vize competition at the PAF in Olomouc. In 2023, she was selected for the FIDCampus residency programme for young filmmakers as part of the Festival International de Cinéma (FID) in Marseille. Her latest short film, Krajina opuštění I.: Dívka s bičem, is currently being prepared for its world premiere. During her studies, she took part in an exchange programme in Denmark and also studied at the prestigious École nationale supérieure des Arts Décoratifs in Paris. Her work explores themes related to identity, mythology, queer issues and fantastical or dreamlike worlds. She also contributes to the film programming at the Mezipatra Queer Film Festival. She is also involved in music production through her solo project, Ashen Foals.

Jamaica Kindlová

Jamaica Kindlová is a director and animator specialising in documentary subjects. As well as film, she works as an illustrator and has an interest in puppet theatre. Touching Darkness (2024), her student film from FAMU, created using sand animation, was selected for numerous film festivals and won several awards, including the Pavel Koutecký Award for Best Short Documentary. Her latest film, Gently (2026), drawn with charcoal, was awarded the Lotte Reiniger Prize at the prestigious Annecy International Animation Film Festival and is enjoying success around the world.

Filip Liška

Filip Liška is in his final year of a Master’s degree in Film Editing at FAMU and is simultaneously completing a PhD in History at the Faculty of Arts at Charles University, where he is researching the history of public spaces. It is precisely at the intersection of history and film that he develops his own approach to exploring themes of collective memory, Czech society and identity. In his work, he frequently employs humour and seeks new approaches to the genre of contemporary social comedy. His short films Filip’s Grandad (2025) and The Last Day of Kamil Kroft (2024) won the FAMUfest Audience Award and other festival honours. Alongside his own work, he is working as an editor on a current Czech Television project about Charter 77 and is collaborating on exhibitions at the Centre for Architecture and Metropolitan Planning (CAMP).

Anna Wowra

Anna Wowra is a Polish director living in Prague, a recent graduate of the Department of Feature Film Directing at FAMU. Prior to that, she studied at the Wajda School and also Slavic Studies at Jagiellonian University. Her bachelor’s thesis film, Stuck Together (2023), premiered in the Future Frames section at the Karlovy Vary International Film Festival and won awards at the Tirana FF (Best GENERATIONs) and the Młodzi i Film festival in Koszalin (Golden Amber for Best Short Film). The film was also nominated for the 2023 Czech Lion Awards in the categories of Best Student Film and Best Short Film. At FAMUFEST, it won awards for Best Direction and Best Screenplay. Her master’s film First, Do No Harm (currently in post-production) was selected for the Focus SCRIPT programme at the 2024 Cannes Film Festival as part of its development. She is currently preparing her feature debut, In Good Faith, which has been selected for the Go Long! programme at the Tallinn Black Nights Film Festival and the Talent Village programme at the Les Arcs Film Festival. She is also developing the film To Move Mountains, on which she is collaborating with her husband, director Vojtěch Novotný.

Tomáš Hlaváček

Tomáš Hlaváček studied philosophy and media studies at Masaryk University in Brno. He went on to study at the Department of Documentary Film at FAMU. He works as an independent documentary filmmaker and focuses on critically capturing contemporary political, social and socio-cultural issues. In his documentaries, he uses the method of engaged observation to delve into the worlds of ethnic minorities and social subcultures. He is the director of the documentary films Když máš práci, máš všechno (2016), Stadion (2018), We Are the Epicentres of Earthquake (2020), Housing Against Everyone (2021) and The Impossibility (2024), which won the main prize in the Czech Joy section at the Ji.hlava International Documentary Film Festival and the Czech Film Critics’ Award for Best Documentary Film.

Organisers

We look at festival films critically, independently and professionally. From film selection to discussions with guests, the showcase is organised by a team from Film Europe, a film and media distribution company. Be2Can was founded by Ivan Hronec with the ambition to create an open platform for the dignified presentation of quality film.

Be2Can manifesto

Dramaturgy per se

Our primary sources for film selection included in the showcase focus on the main competitions of three A-list film festivals in Europe - Berlinale, Venice and Cannes.
Other competitive and non-competitive sections of these festivals serve as secondary sources for us. We compose the showcase based on the preselection of their programmers and juries. We are not only interested in winning films, but also in the meaning and role different festival awards play, regardless of the selected films’ quality.

Film gallery

We see the main competitions of major festivals as an insight into current trends in festival filmmaking and as a platform to promote discussion on various topics and social issues.
We offer a meticulously curated gallery of films which begins with festival competition sections. However, we also take into account remarkable titles that may have escaped the attention of juries. We pride ourselves on offering audiences a clear view of what drives contemporary art films forward.

Festival resonance

At festivals we listen, read, and participate in talks. This assists us in determining which movies have a strong theme, spark discussion, and open up interesting topics.
As a result, the resonance of the film is more important than the prize awarded to the film by the jury. The top prize will be forgotten unless it is given to a film with the potential to appeal to both audiences and critics. On the contrary, a neglected film may resonate more strongly in the future than the winner of a prestigious award.

A space for discovery

Be2Can is not necessarily just a festival of films from prominent names and titles.
It also focuses on lesser-known filmmakers whose careers are at the very beginning, but who bring an innovative view of film or remarkable poetics which follow the strong trends of festival films. We don't just want to offer the audience proven choices, we want to encourage them to explore.

Listen and discuss

The ticket is also an invitation to discuss.
We want to draw the audience to the film events which offer professional introductions, lectures, Q&As with actors and filmmakers, and masterclasses. Our goal is to raise awareness of what's going on in the festival scene and to provoke discussion. We bring context to film.

In a broader perspective

Great filmmakers do not appear out of the blue in the main festival competitions. That's why we carefully follow films outside of the main sections of the "big three" and at other significant European festivals.
Even if the film does not appear in the Be2Can portfolio we will always take it into account when creating context for our titles – on the web, through social media, in the festival guide and in accompanying lectures.

Open festival

The film’s selection is not limited to the Film Europe Media Company portfolio.
The main programme section of Be2Can is open to all distributors. Its aim is to raise awareness of art films and to give them the publicity they deserve.

Guests, not faces

We are not only concerned with media glamour, but with inspiring observations and topics for discussion.
We invite such guests and delegations connected to festival films to offer our viewers an interesting insight into the making of the film they represent.

Without populism

We know that our films are not for everyone.
We aim our communication at those who know what they want and why they want it.
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