Be2Can is a showcase of selected festival films
We want to bring films that offer insight into current festivals that are otherwise missing from regular distribution. We do not limit ourselves to a mere ‘presentation’ - our goal is critical selection and discussion - on film, festivals, dramaturgy, politics, and awards.
Guests Jury Organisers Manifesto
Previous years online
Missed a previous edition of Be2Can or want to relive some quality film moments? Watch selected films on Edisonline.
Online films

Guests

Labina Mitevska

Labina Mitevska is a North Macedonian actress who became famous mainly thanks to her close collaboration with her sister, director Teona Strugar Mitevska. She has appeared in several of her award-winning films, such as The Happiest Man in the World (2020) and God Exists, Her Name Is Petrunya (2019). She has also appeared in a number of international projects, such as Milcho Manchevski's Before the Rain (1994), which won the Golden Lion at the Venice Film Festival, and David Ondříček's Czech film Loners (2000). At Be2Can in Prague, she personally presented the preview of her new film Mother (2025) – a bold and unconventional portrait of Mother Teresa of Calcutta, screened at the Venice Film Festival, in which she participated as an actress and producer.

Teona Strugar Mitevska

Teona Strugar Mitevska is a North Macedonian director and screenwriter, one of the most prominent figures in contemporary Balkan cinema. She made her debut in 2001 with the short film Veta, for which she received the Special Jury Prize at the Berlinale International Film Festival. She gained international recognition mainly with films such as The Woman Who Brushed Off Her Tears (2012), God Exists, Her Name Is Petrunya (2019) and The Happiest Man in the World (2022), which were screened at prestigious festivals including the Berlinale and Venice. At the Be2Can in Prague, she personally presented a preview of her new film Mother (2025) – a bold and unconventional portrait of Mother Teresa of Calcutta, which was screened at the Venice Film Festival.

Jury

SARAH SLAVÍČKOVÁ

Sarah Slavíčková graduated from the Department of Theatre and Criticism at DAMU before pursuing a bachelor's degree in film directing at FAMU in Prague. In 2024, she received support from Czech Television for her second film, Moje domovina, as part of the Film Accelerator programme. The film was shortlisted for the Czech Lion student award, had its world premiere at the Pragueshorts festival, and was also screened at the 59th KVIFF. She has just completed her graduation film, Ježíšku na křížku, which thematically follows on from Moje domovina. These films will eventually be joined by the final third part of her Sudeten trilogy, Houska, and a feature-length debut, Sudetenlove, which explores an amateur theatre group in a village, the desire to leave, the inseparable Sudeten burden, and coming to terms with reality. She is also currently working on a miniseries called BESTIE(S) about female friendship and self-worth, inspired by the cult series Girls and Sex and the City. She is a new presenter for Radio Wave and a producer for Fabulace Jana Špačka.

ELIŠKA JIRÁSKOVÁ

Eliška Jirásková is a student at the Department of Animated Film and is currently working on her animated documentary bachelor's thesis, which explores themes of spirituality and belief in the invisible. Her film, the animated documentary Lepší člověk (2025), had its world premiere at the Annecy International Animated Film Festival and is currently on its global festival run

VALÉR FUTEJ

Valér Futej from the Department of Editing at Prague's FAMU is a Slovakian film editor and director studying at the Film and TV School of the Academy of Performing Arts in Prague. His bachelor's film, The Kitchen, was selected for the competition at the Oscar-qualifying international festival IN THE PALACE IFF, where it had its international premiere in the Best Student Fiction category. His personal projects have been featured in the MIDPOINT and ELBE DOCK mentoring programmes, which focus on the development of short films. His latest film, Patisserie, is a dystopian social satire set in a pastry shop that mirrors the pressure to conform and the obligation to fit into relationship patterns.

MATĚJ LINDNER

Matěj Lindner is a young film sound engineer and sound designer who is currently completing his master's studies at FAMU. He works with sound in all audiovisual forms, especially independent fiction, documentary, and animated films. He strives to approach the sound component in a creative way to fulfill its potential. He also works with music and various audio formats. As part of his studies, he has contributed to a large number of student films and is now entering the professional world. For his film Misophonia Orchestra (Daniela Hýbnerová, 2022), he was awarded at the 39th FAMUFEST festival. Other films for which he is the author of the sound components include: Je nalezena tím, koho hledá (Petr Michal, 2022), Vymezení (Tereza Vejvodová, 2020), Ani se nenaděješ a už se jmenuješ (Ema Hůlková, 2024), and Co když kamínky dojdou (Nora Štrbová, 2025).

EMA HŮLKOVÁ

Ema Hůlková loves film, theatre, directing, cinematography, and acting, and she studies documentary filmmaking at FAMU. In her films, she focuses on social themes and emphasises trust and a personal relationship with the protagonists. Her documentary Ani se nenaděješ a už se jmenuješ about six-year-old Viktorka received nominations for the Czech Lion and the Magnesia Award, was ranked in the top ten in the international CILECT voting, and also won her awards at Pragueshorts, FAMUFEST, and other festivals. The film was screened at KVIFF and is also scheduled for screenings at prestigious international festivals. She has also made a poetic reportage about disinformation called Za humny, the experimental Dodo příběh, and a film about dying called A jsem v pytli. She is currently finishing her graduation fiction film, Červená a černá about a gambler.

Organisers

We look at festival films critically, independently and professionally. From film selection to discussions with guests, the showcase is organised by a team from Film Europe, a film and media distribution company. Be2Can was founded by Ivan Hronec with the ambition to create an open platform for the dignified presentation of quality film.

Be2Can manifesto

Dramaturgy per se

Our primary sources for film selection included in the showcase focus on the main competitions of three A-list film festivals in Europe - Berlinale, Venice and Cannes.
Other competitive and non-competitive sections of these festivals serve as secondary sources for us. We compose the showcase based on the preselection of their programmers and juries. We are not only interested in winning films, but also in the meaning and role different festival awards play, regardless of the selected films’ quality.

Film gallery

We see the main competitions of major festivals as an insight into current trends in festival filmmaking and as a platform to promote discussion on various topics and social issues.
We offer a meticulously curated gallery of films which begins with festival competition sections. However, we also take into account remarkable titles that may have escaped the attention of juries. We pride ourselves on offering audiences a clear view of what drives contemporary art films forward.

Festival resonance

At festivals we listen, read, and participate in talks. This assists us in determining which movies have a strong theme, spark discussion, and open up interesting topics.
As a result, the resonance of the film is more important than the prize awarded to the film by the jury. The top prize will be forgotten unless it is given to a film with the potential to appeal to both audiences and critics. On the contrary, a neglected film may resonate more strongly in the future than the winner of a prestigious award.

A space for discovery

Be2Can is not necessarily just a festival of films from prominent names and titles.
It also focuses on lesser-known filmmakers whose careers are at the very beginning, but who bring an innovative view of film or remarkable poetics which follow the strong trends of festival films. We don't just want to offer the audience proven choices, we want to encourage them to explore.

Listen and discuss

The ticket is also an invitation to discuss.
We want to draw the audience to the film events which offer professional introductions, lectures, Q&As with actors and filmmakers, and masterclasses. Our goal is to raise awareness of what's going on in the festival scene and to provoke discussion. We bring context to film.

In a broader perspective

Great filmmakers do not appear out of the blue in the main festival competitions. That's why we carefully follow films outside of the main sections of the "big three" and at other significant European festivals.
Even if the film does not appear in the Be2Can portfolio we will always take it into account when creating context for our titles – on the web, through social media, in the festival guide and in accompanying lectures.

Open festival

The film’s selection is not limited to the Film Europe Media Company portfolio.
The main programme section of Be2Can is open to all distributors. Its aim is to raise awareness of art films and to give them the publicity they deserve.

Guests, not faces

We are not only concerned with media glamour, but with inspiring observations and topics for discussion.
We invite such guests and delegations connected to festival films to offer our viewers an interesting insight into the making of the film they represent.

Without populism

We know that our films are not for everyone.
We aim our communication at those who know what they want and why they want it.
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